Friday, 16 November 2012

Digpak draft

Here are the drafts of our digipak designs:
 
This is a possible option for the front cover of the digipak, it shows the digipak as a single rather than an entire album. Follows the convention of having a picture of the artist as the main image.   


This is the draft of the inside panels again follows generic rock convention of having an image of the band/artist as the main image of the panel. However the convention of having a booklet of song lyric isn't followed here.


Here is an image of an alternative front cover for the digipak. Like the other version this cover also markets the digipak as a single rather than an album. To continue this theme of a song specific digipak as well as the conventional picture of the artist on the front cover there's also a picture of the narrative protagonist from the music video.    

This is an alternative inside panel draft, the difference is that the image may not be the conventional picture of the artist. 



This is a draft of the digipak back panel. The draft follows the conventions of having the tracklist, barcode and copyright information all on the back panel. However doesn't have the conventional image of either the artist or orginal artwork.  

Here is another option for a possible inside panel, this follows the convention of having an image of the artist as well as the lyrics of the song on the inside panels, as well as the web adress for the artist's official website. 

The two photos below are possible options for the front cover of the digipak. Both follow the convention of having an image of the artist on the front cover, this is especially conventional for solo artists such as Bryan Adams as the photo is of them alone rather than having the backing band. One convetion that both drafts don't follow is having the name of the album/single on the front cover, instead the only text on the front cover is the name of the artist.



Thursday, 15 November 2012

Analysis of digipak #1

The first digipak I'm going to analyse is "Reckless" by Bryan Adams. I feel this is relevant as Bryan Adams is our chosen artist and "Reckless" is the album our chosen song "Summer of 69" is from.


The front cover fits some generic conventions of a rock digipak, for example the colour scheme, is predominantly a mix of grey, black and white. This fits the convention of a rock digipak's colour scheme involving no more than three colours. Another convention the front cover fits is that the main image of the album cover is a photo of the artist, this is especially true with solo artists such as Bryan Adams. What is also conventional about the image is the type of photo and the colours used as well as the artist's body language. His body language is conventional as he comes across as confident and self assured, this along with the artist's determined facial expression, gives the impression of someone who is serious about what he's doing. However because of the photo's colour scheme and how the bottom half of his face is slightly blacked out to me symbolises that he wants people to focus on the music not him. trying to draw attention away from his faced a recurring theme in Bryan Adams digipaks, for example on the digipak for his album "Best of me" the image is in black and white and only of the top half of his face and head.





The font however doesn't follow generic conventions as conventionally on a rock digipak the name of the artist is the biggest text on the cover with the album's title being smaller. An example of this is the Nickelback album "Dark Horse". One convention the front cover of "Reckless" does follow is the positioning of the text as conventionally the album's name is underneath the name of the artist. 

The back cover of the digipak also follows some of the generic conventions of a rock digipak, for example it has the same font and colour scheme as the front cover, white font, black background. Another convention that the back cover follows is the inclusion of copyright information and a record label logo which in this case is A&M



One convention that the "Reckless" back cover doesn't follow is that the background is plain black, whereas often there is another image of the artist or a piece of orginal artwork that is relevant to the band or album. However I feel the reason "Reckless" doesn't follow this convention is so it can continue the theme of not distracting people from the music with things like extra artwork or images of Bryan Adams. An example of a digipak that does follow this convention is "Lost highway" by Bon Jovi.

 Similarly the spine of the digipak also follows the generic rock conventions of a simple colour scheme, which again is black background and a white font for the text. Also just like on the front cover the spine of the digipak breaks the convention regarding text on the digipak because once again both the names of the artist and the album are the same size text, rather than the artist's name being bigger.

In regards to the inside panels the conventional colour scheme(grey, black and white) is again continued, to the point where it was even used on the CD itself in some releases.    

Another convention of the rock Digipak "Reckless" follows is to have the song lyrics included within the digipak along with the CD. Although it is a generic convention I feel including the lyrics also links in with the digipak's theme of wanting to focus on the music because by including them it means people can learn the song and spread it via word of mouth and potentially increasing album sales. But also having the lyrics there also mean that thier more open to interpretation from the listiener and by extension more artistic. 






    
   
         

Tuesday, 13 November 2012

Ancillary task brief

Design a cover for your music video's release as part of a digipak (CD/DVD package) and a magazine advertisement for the digipak.

Wednesday, 7 November 2012

Editing continued

In the most recent editing session we have continued to make relatively good progress with the video. We have begun to incorporate our most recent narrative footage in to the video.










The footage in question is the "photo album" scenes where the narrative protagonist looks over photos of his summer romance.








We have begun to add fade transitions to the footage as it looks tidier and smoother when but in the same timeline as the performance footage.



Finally we've had to re-upload the performance footage as the sound isn't there on the computer when we came to edit.


overall I'm pleased with how the video is coming along so far.